Category: Film Page 5 of 101

Challenge Week 47: Limelight

I’ve been wanting to see Limelight for quite some time, as what most people consider Chaplin’s last great film, so I really appreciate the push to see it. I had high hopes and they were both met and exceeded. Interestingly, the FB group where I’ve been tracking this challenge seemed to think I wouldn’t care for this one as much as its week partner The Ghost and Mrs. Muir. That kind of baffles me, as this seemed like as shoo-in to me, and sure enough.

Here Chaplin plays an aging vaudeville comedian, the great Calvero, who can now barely get a gig at the bottom of a bill and when he does, basically bottoms out of it. He saves a despondent ballerina who’s trying to commit suicide (Claire Bloom) and they end up giving each other reasons to live, basically. It’s not a particularly unique story, but treating an attempted suicide so frankly is pretty unusual for 1952, anticipating Wilder’s The Apartment by eight years.

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Challenge Week 47: The Ghost and Mrs. Muir

This film has snuck by me for decades now, as it’s one of those classics that a lot of what I call “classic movie fans” seem to like though it doesn’t tend to be on critical best lists, and as an elitist teen I used to avoid those. I’m coming around on a lot of that type of film now, and realizing I missed out.

In this one, Mrs. Muir (Gene Tierney) breaks free from her late husband’s controlling family to find a little cottage she can call her own (along with her daughter, a young Natalie Wood) – only trouble is it’s haunted by the sea captain (Rex Harrison) who used to own it. Unafraid of the ghost, she moves in anyway and ends up striking up quite a friendship with the gruff captain…and maybe a little more.

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Challenge Week 46: The King of Kong

Documentaries that follow an ordinary guy doing something that turns out to be extraordinary (within a given area of excellence, anyway) always fascinate me – not only because of the great human story they tell, but because, like, how do you know that THIS is gonna be the guy who does the thing? I always wonder how many documentaries get planned or footage gets shot that never actually amount to anything because the guy didn’t end up doing the thing. Anyway.

In this case, “the thing” is beat the high score on Donkey Kong, which was set by Billy Mitchell in the ’80s, and “the guy” is Steve Wiebe (“wee-bee”, not “weeb”, as he has to correct people multiple times), a regular dude who decided to spend some unemployment downtime by getting freaking awesome at an old console of Donkey Kong he got.

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Challenge Week 46: The Long Good Friday

Gangsters are very murdery, I just want to get that out there.

In this breakthrough film for Bob Hoskins, he plays a crime boss who seems to have everything going for him – his properties are making money, he’s about to make a big deal with some Americans, and he’s sitting pretty on top of his empire. Until his associates and friends start getting killed by who knows who for no apparent reason. I mean, there’s kind of always a reason when you’re a gangster, but, you know. Hoskins goes on a somewhat bewildered rampage to find out what’s going on before his whole operation is dismantled all in a single day.

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Challenge Week 45: Perfume: The Story of a Murderer

Let’s get the obvious out of the way upfront. This movie is gorgeous. Even when what’s on the screen is dirt and filth (like much of the beginning, set in the poorest areas of a French fishing village), it’s beautifully lit, shot, and framed. The music, too, is a high point, bringing an epic feel to what is actually a fairly repugnant story. I should expect nothing less from Tom Tykwer, whose films are consistently full of beauty and use music very well, from this classic-esque score to the pumping techno of Run Lola Run.

The story involves Jean-Baptiste Grenouille, a child abandoned at birth by his mother but survived the orphanage despite being an outcast for his weird superpowered smell. An encounter with a beautiful redhead led Grenouille to make it his life’s mission to capture and preserve women’s scent, which he finally learns to do through a process that involves…killing them.

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