New record set again! Twenty-six movies this month. I love vacation time. And having awesome libraries around. And art-house theatres. After the jump, reactions to No Country for Old Men, Cars, Rushmore, Flags of Our Fathers, Slacker, The Squid and the Whale, The Three Burials of Melquiades Estrada, Underworld: Evolution, The Black Dahlia, MirrorMask, Juno, Notes on a Scandal, Interiors, The Illusionist, Mass Effect, Gears of War, and others.
Tag: No Country for Old Men
Haven’t done a trailer watch for a while. Most of the things I’m most interested in, especially this time of the year, are limited release films, and it feels weird to plug them when they come out when I know that I and most everyone I know won’t be able to see them for at least a few weeks, if then. So it’s sort of weird. But there are some things coming out that I’m super-excited about. Most of these are coming out in the next couple of months.
Juno
opens December 5th, limited
CURRENT MOST ANTICIPATED. I want to see it two months ago. Except if I had I couldn’t be enjoying the anticipation so much right now. Ellen Page is one of the best young actresses in Hollywood right now hands down, Michael Cera is adorable, plus Jason Bateman and Jennifer Garner. And it’s a total festival darling of exactly the type that I always love. I’m also pleased that screenwriter Diablo Cody is getting as much attention as she is; screenwriters don’t get noticed as much as they should, and she was getting noticed even before the strike. Ooh, and I forgot until I just watched the trailer again–Thank You For Smoking was one of my favorite films last year, so I’m a fan of the director, too.
Atonement
opens December 7th
After I see Juno, Atonement will become my CURRENT MOST ANTICIPATED. Of course, that won’t last long, since it comes out two days later. Ah well. The book is one of the best I’ve read all year, the cast is great, it’s the same guy that directed Pride and Prejudice a couple of years ago (which quickly became one of my favorite Austen adaptations), and pretty much every review I’ve seen from the festival circuit has been nothing short of glowing. Read the book, folks, then go see the movie. Simple as that.
More after the jump.